THE UKRAINIAN NIGHT An Intimate History of Revolution Marci Shore Yale University Press 290 pages; $26 On November 21, 2013, Viktor Yanukovych, Ukraine’s President, abruptly suspended long-running negotiations on an association agreement with the European Union. Though Mr Yanukovych personified the corruption, cronyism and oligarchical capitalism rampant in Ukraine, he had previously promoted the accord, which many Ukrainians, particularly in the country’s center and west, anticipated as a pathway to a better life and communion with the West. Within hours, thanks to Facebook and Twitter, protesters thronged Kiev’s Independence Square (Maidan Nezalezhnosti). Once the riot police started beating demonstrators, and especially after the first fatalities, Mr Yanukovych was doomed. By late February, he had fled. Moscow reacted by annexing the Crimea, Ukraine’s sole Russian-majority region, and supporting an armed insurgency in the Donbass (eastern Ukraine), which, compared with central and western Ukraine, has been shaped more by Russian culture and the Soviet past and contains many ethnic Russians, as well as Ukrainians whose primary language is Russian. The fighting has killed more than 10,000 people and placed a heavy economic burden on a country that can ill afford it. Though the Maidan movement cleared the way for the election of the current Ukrainian government, led by the tycoon Petro Poroshenko, the reformers within it face fierce resistance from the beneficiaries of corruption and oligarchy, some of whom are in the cabinet. The reforms have stalled, eroding public faith in Ukraine’s political institutions. The dreams that drove the uprising may yet be realised — or dashed, as happened after the 2004 Orange Revolution, whose failure enabled Mr Yanukovych’s election in 2010. The Ukrainian Night, the Yale historian Marci Shore’s compact book (its large-font chapters typically range from two to seven pages), seeks to portray the ideals that animated the protesters.
Ms Shore succeeds admirably, particularly because she tells the story through their words. Her sympathy for their courage and her support for a democratic Ukraine aligned with the West are evident, her depictions of the sights, sounds and smells on the Maidan superb. In lucid, if occasionally overwrought, prose she draws evocative portraits of people who braved the bitter cold — and truncheons and bullets — to create a “parallel polis” with barricades, soup kitchens, libraries, rock concerts, fiery speakers and solidarity among Ukrainians of disparate backgrounds.